In 1986 a fire raged
through Hampton Court, a historic Royal
Palace of the British monarchy. Lost in the fire were large portions of a
masterwork by the famous British woodcarver Grinling Gibbons (1648 – 1721). Gibbons
carved decorative mouldings that adorned the mantels and doorways of his
patrons . He became famous for his signature intricate floral patterns of
curled leaves and hanging fruit. Gibbons often embellished his designs with stylized
ribbons. All of these elements— leaves, fruit, ribbons— were carved. The near
life-like results are breathtaking.
The Historic Royal Palaces
(HRP) agency was charged with finding someone who could restore the lost art.
It was no easy task finding a second Gibbons.
Carving a series of leaves from wood, some made to look as though
damaged by insects (yes the attention to detail was that meticulous), requires a steady, sure hand. Needless to say the
HRP made it known that the less inspired masters of the wood carving fraternity
need not apply. The task of finding a suitable carver was made all the harder
because no one knows exactly how Gibbons went about creating these
masterpieces.
Enter David Esterly, a scholar (think Harvard and Cambridge) who grappled with the philosophy of Plotinus and poetry of Yeats before embracing the art of wood carving at a late age. Today Esterly is a world renowned wood carver and sights Gibbons as one of his inspirations.
The book is Esterly’s
memoirs about this restoration project that the HRP awarded him under a cloud
of controversy (Esterly is American and some thought the job should go to a
Brit). The story is multifaceted. You get bits of philosophy when Esterly
contemplates the nature of art and art making. You get intrigue and mystery as
Esterly and his associates puzzle over Gibbons’ technique finding clues in old
photos, paintings and manuscripts. You get politics as Esterly finds himself
unwittingly involved in the intrigues of agencies guarding Britain’s cultural
heritage. You also get history as Esterly narrates briefly the life and times
of Grinling Gibbons. All of these segments of the story are weaved together
brilliantly and make for a compelling read. It doesn’t hurt that Esterly aside
from being a world renowned carver in his own right is a very good writer with
a talent for crafting inspired metaphors. The book surprises and educates.
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